MONARCHS: The necessity of social institutions.

During King Charles III’s coronation, there were anti-monarch protesters with placards that read ‘NOT MY KING. The groups’ quarrel in brief; “Hereditary public office goes against every democratic principle,” they state. “And because we can’t hold the King and his family to account at the ballot box, there’s nothing to stop them abusing their privilege, misusing their influence or simply wasting our money.” – Republic ( an anti-monarch group founded in 1983) Differing from thought and principle, another larger group celebrated the Prince who waited 70 years for the throne to-become King!

Likewise, Uganda has over 21 recognised Kings for the multi-cultural indigenous tribes in the country, and the Kabaka of Buganda the most prominent. Although Kings and cultural leaders are not politicians or heads of the central government, they do wield insurmountable influence and power over society and the leadership. So, the question I asked myself while I watched the bedazzled crowning of England’s 13th monarch since the union was simple but heavy,

HOW IMPORTANT ARE KINGS IN A DEMOCRATIC SYSTEM?

a.Representation.

In a country with over 50 tribes of distinct Languages, norms and traditions, identity and the need to belong is more pronounced. Individuals and families in Uganda attach themselves to respective sects through last names and sometimes dress codes. This is to exhibit their tribal affinity in communities. A definition of who they are, either a muganda, musoga, munyakore, Acholi, Itesot or Langi (to mention but a few). The sense of self, root and originality.. and all this is represented by the Kings, Chieves and Queens crowned. So, like religion and race, tribes do provide a fellowship for so many.

These Tribal leaders therefore, can be and often are, metaphorical symbols of your standing in society. The status of your King can influence or impact your own repute, directly or indirectly. The public services you access and ultimately the environment you call home. They’re at times the voice for their respective tribe to central government. A quite whisperer to the democratically elected men and women in such a multi-tribal nation lobbying for his or her tribesmen. One can say, these institutions fight the bigger battles you can’t fight on an individual level.

b. Preserving History

‘Where did I come from?’ This is a question asked by so many globally who are trying to trace their hereditary origins. This can be a futile endeavour if such monarchs didn’t exist. Contrary to most elected leaders, Kings are tasked and find it as a noble duty to preserve what their fore fathers have left behind and continue the traditions in these evolving times. Without these cultural institutions, history can easily be rubbed away by the next elected leader who doesn’t carry similar political ideologies with the outgoing.

‘Olusesse’ is one of the dying languages in Uganda and the lack of a King or cultural leader is predominantly the reason why. In a century from now, it might be forgotten and gone from people’s minds. Similarly, various tribes are unknown and are a candle in the wind. Imagine your child asking you about their name and you have no idea where it is from, or why it is so?

The Ugandan tourism sector has profitably earned from the existence of these cultural institutions over the years. The reason people come to see your culture is for the uniqueness, beauty and perseverance.

c.Presitige

Pride. Kings offer extended joy and prestige to it’s people. The way you feel when your favourite sports teams win the championship or athlete is awarded the MVP of the year. You feel that you win when they win, loose when they loose, from the sense of belonging comes a sense of prestige too.

THE PROBLEM

In 1967, Obote abolished all Kingdoms when he deemed them a threat to his power and presidency. Similar sentiments have been held by other leaders who have exercised more level-headed tactics in dealing with the influence Kings have on society. Most politicians would rather not have to deal with Kings but likely envy the permanence of position, such cultural leaders hold. Death seemingly being the greater threat to their power and not an election. A king is on the throne for life and what politicians would give to have that.

Other people like the Republic group in England simply feel they should choose their own leader. Not to wait for one birthed down for them.

Today, in most African, European and Asian countries with Kings and cultural leaders, you find a people split in opinion. For and against the monarchy. The United Arab Emirates would be a compelling study for a monarchy that works since many elected leaders have led their countries into destruction scanting over issues of development and economic independence for the general public but rather focus on self improvement and wealth accumulation as fast they can before the next election.

CONCLUSION

Monarchs are likely to exist as long as society does, in whatever form they will in the technological era to come. As of now I think, I’m waiting for an integrated world without borders that will speak one language and see no colour, tribe or race. When this happens then maybe, Kings will no longer serve the innate human need to belong.

ABOUT ME:

I’m a God fearing Ugandan writer, film producer and artist working in the Ugandan media industry for over the last ten years now and am thankful for the experience, the people I’ve met and the modest living I’ve earned along the way. Thank you for reading this blog. You’re a unicorn. So continue being awesome and kindly share with a friend, leave a comment and subscribe to keep in the know of what I write weekly every Friday! See you next time. Stay Kind.

Find me @edrismatu on Twitter, Instagram,YouTube, and Linkedin

EVIL DEAD RISE : a confined film that excels

As a screenwriter myself, I’m often critical of the screenplay and plotting of any movie I get to see. Despite late rewrites and unforeseen production challenges, the finished edit more so often looks a bit different from paper and at times drastically apart. This can better the film or destroy the vision. So when a story unfolds as tightly as possible on the screen, my hat is off for the team.

Evil Dead Rise understands its limits and utilises the playground available in almost all the clever ways the Horror genre can allow. Location, Time, Cast and a budget of 19 million dollars with a box-office of 90 million as I post this, That’s good business.

*SPOILERS AHEAD

THE GOOD.

a. A confined story

Director and writer Lee Cronin keeps things intimate, tight and confined. One main location, 2 lead actors, 3 supporting and an affordable entire movie cast of about 10 characters. Either limited by budget or carrying on the franchise’s theme of a ‘small group of people trapped in a house’, Lee strikes the right horror chords with a simple linear family story that is relatable, scary and gory. The whole film lasts for one day’s night to dawn. This lends the story urgency and the claustrophobic element that works with horrors.

Evil Dead Rise centres on two partially estranged sisters; Beth and Ellie, who are struggling with life individually but find themselves trapped in this old pre-condemned apartment with Ellies’s three kids and few cleverly numbered neighbours. The two sisters are both at the precipice of their old lives and need each other to start anew in life, but after a mild earthquake unearths the book of the dead and curious teenage son Danny plays one of the old phonograph records, a demonic entity is summoned. The evil posses Ellie and she charges through the building to kill everyone before dawn. Simple and Effective.

There is barely a boring pass-time moment in the film. From the first drone frame flying through the woods to the last similar shot in the building basement, Evil dead rise is on a budget and has neither time nor space to waste. Lee escapes the need to meander locations and backstories flashbacks, turning his shortages into gold. Most of the creative choices the production team makes are on point. They serve the film not hinder it.

b.Creative shots and tricks

With over 1000 Films released a year, as a viewer you’re always looking for something fresh and intriguing. It may be recycled but the application of a skill or trait can turn something old anew. Three moments stood out for me in the film.

1.The drone and peephole shots. At the opening of the movie Cinematographer Dave Garbett utilises a drone shot that slithers through the woods and works efficiently to represent an ominous evil entity but most importantly sets the tone; This is a scary movie and something bad is about to happen. The same shot goes on to represent moments of possession for Ellie and Jessica effectively as the unseen demon watching our unknowing characters. It’s brilliant. Now you might argue that drone shots are not a new thing today and you are right, but the application here felt necessary as opposed to coming off as a trick that the cinematographer wanted to experiment with. It serves purpose.

After possession, Ellie is locked out of the house and roams the hallway killing, waiting and trying to cunningly persuade pre-teen daughter Kassie into letting her in. We are immersed into the peeping of what is beyond the room through a concave lens shot of a peeping hole and it works beautifully. To reiterate, this shot is not a new invention but the..application.

2.The grater. The moment when Bridget attacks Beth in the kitchen and grates her calf was something unexpected. Gory and befitting of the genre. It reminded me of a scene in the (2005) House of Wax slasher film where a character’s Achille’s tendon was cut with scissors. Such simple yet outstandingly clever moments can make a movie stand out and in today’s market, you always want to have such trend worthy moments. Look at how the dancing scene at the stairs turned (2019’s) Joker into a billion dollar film.

3.The elevator semi-contortion. Ellie’s possession is a thing of bondage and bone breaking. The demon finds her in the elevator returning with laundry and then in horror fashion uses the lift wires and cables to twist and bend her midair into an artistically painful work of art. I’m not sure why, but this scene reminded me of (2000’s) Hollowman and Scarymovie 2.

c. Alyssa Sutherland.

Not related to Jack Bauer (Keith Sutherland), Alyssa Sutherland is a star born! For both Director Lee Cronin and actress Alyssa, this movie might be their launchpad to blockbuster budgets and hotcake casting respectively. I first watched Alyssa on the tv show Vikings and understandably she neither had much to do there nor stand out for me then. Evil Dead Rise might just make her the next horror leading lady or villain! She has an interesting face which she plays with during the demon possessed scenes and quite scary might I add. She carries the film and propels herself to the summit of the Evil Dead Rise’s excellence. Let’s wait and see if Hollywood has noticed.

THE NOT SO GOOD

Despite the exciting visuals per budget and neat screenplay, Evil Dead Rise has a problem.. wait. I can not think of a major issue with this movie worth writing about. It is not perfect, but it is mostly good for what it is.

CONCLUSION

I have not watched the original trilogy or the 2013 soft reboot but Evil Dead Rise is a four star Horror film for anyone looking for some good old scares. The film is well paced and fundamentally grounds itself in reality. Be prepared for some out of the seat jumps and face cover moments that will have you peeping through your fingers.

For those in Uganda, the best cinema to go to is CENTURY CINEMAX. Experience the latest in HD Surround Sound at all 3D Cinemas located at Acacia Mall kisementi, Metroplex Naalya & Arena mall Nsambya. For bookings and more information visit their website @centurycinema.co.ug

ABOUT ME:

I’m a God fearing Ugandan writer, film producer and artist working in the Ugandan media industry for over the last ten years now and am thankful for the experience, the people I’ve met and the modest living I’ve earned along the way. Thank you for reading this blog. You’re a unicorn. So continue being awesome and kindly share with a friend, leave a comment and subscribe to keep in the know of what I write weekly every Friday! See you next time. Stay Kind.

Find me @edrismatu on Twitter, Instagram,YouTube, and Linkedin